Bathroom (1969)

Děj

Bathroom shows a somewhat seedy bathroom, beginning with a stab at seeing it “objectively” that soon fails; the forms descend into what I hope is a terrifying, even self-destroying irrationality. One inspiration was the long take depiction of madness at the end of Edgar G. Ulmer’s Detour; another, the two out-of-focus shots of the altar near the end of Douglas Sirk’s The First Legion.