Ten Thousand Things (1992)

Děj

Gorewitz blends mediated and natural environments to create a melancholy and haunting statement about war, trust and love. Gorewitz writes: "The bomb is everywhere in this tape. The images are shattered, fragmented, imploded; the sounds are deteriorations, frequency modulations, unnatural. Time is distorted. There are glitches, abstraction, disrupted texts."