물 위의 음표 (2024)

Trama

Inspired by Impressionist painters, I observe Lake Thun and Canal Saint-Martin, using my camera to paint the screen with light, as opposed to applying colors and shapes to a canvas with a brush. The encounter between colors and shapes on the screen gives rise to vibrations, forming a visual structure that integrates aspects like shape, intensity, velocity, texture, waves, and particles of light. This interaction in the landscape hints at auditory notes through a combination of audio and visual elements.

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