Film · 2007 · 108 min

Prater (2007)

5.8/10 · 5 voturi

Prater este un film din 2007 (Documentar). Prater a fost regizat de Ulrike Ottinger. Prater durează 108 minute. Are o notă medie de 5.8/10 de la 5 spectatori. În România, poți vedea Prater pe DocAlliance Films.

Unde pot vedea Prater

📍 România

Cu abonament

DocAlliance Films

Închiriere

DocAlliance Films

DocAlliance Films →Cele mai bune filme Documentar pe DocAlliance Films (România) →

Date de streaming furnizate de JustWatch.

Disponibilitate în alte țări

Servicii care oferă Prater și țările unde îl poți vedea:

DocAlliance Films 74 țări 📍

Argentina, Austria, Barbados, Belgia, Bulgaria, Bahrain, Bermuda, Bolivia, Brazilia, Bahamas, Canada, Elveția, Chile, Columbia, Costa Rica, Cehia, Germania, Danemarca, Republica Dominicană, Ecuador, Estonia, Spania, Finlanda, Franța, Regatul Unit, Guyana Franceză, Gibraltar, Grecia, Guatemala, R.A.S. Hong Kong, China, Croația, Ungaria, Indonezia, Irlanda, India, Islanda, Italia, Jamaica, Iordania, Japonia, Coreea de Sud, Kuweit, Liechtenstein, Lituania, Letonia, Monaco, Republica Moldova, Mexic, Malaysia, Țările de Jos, Norvegia, Oman, Panama, Peru, Filipine, Polonia, Portugalia, Paraguay, Qatar, România, Rusia, Arabia Saudită, Suedia, Singapore, Slovacia, San Marino, El Salvador, Thailanda, Turcia, Taiwan, Statele Unite ale Americii, Uruguay, Venezuela, Yemen

Rezumat

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.