Labyrinth (1981)

Handling

The work 'Labyrinth' opens with grainy and aged sepia tone images of the artist textured with film scratches. These images are set to the sound of an old film projector evoking a nostalgic and retro feel, as if the artist is evoking memories of herself. In the opening scenes we are introduced to a still shots of the artist performing different facial expressions. America plays with the notion of capturing differing moments in time. This is done in a stop-frame mode, where single frames of her expressions are placed one after the other creating a rickety and shaky feel to the movement of the imagery. As the work progresses, America multiplies the single frame in a grid across the screen.