Popsicles (1984)

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“This work is an interaction of the space, the symbols and the historical context in which I live as a woman on this side of the continent. It is a rosary of alarm, eternal and circular; the alarm of a woman who desires life, light, truth, and solidarity, but who instead sees and receives death and fear. It is a rejection of all that is destruction, and death, yet is depicted almost attractively as innocence.”