Sì (2020)

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A middle-aged man is looking at a series of encyclopedic images of the creation of the cosmos, from which humanity is absent, apart from some of its works and their ruins. Lulled to sleep by an advertising spot, he will sink into a nightmare of arctic hunters intent on killing polar bears. In the meantime, two pieces of contemporary music by the composer Agazzi and a text referring to an episode of suicide that actually took place during the director’s childhood invite us to “write once, erase twice.”

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