Arta (1984)

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Teresa Tyszkiewicz's last film is at the same time her only work realized in this medium in France, where the artist emigrated in 1982. The film features a sequence with the pin process and large-format works realized in this technique, as if the artist was making a peculiar declaration: after making ARTA, Tyszkiewicz devotes herself almost entirely to the performative and painstaking pin process.